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  • Livre d'exception : Grand Escalier du Château de Versailles LE BRUN, Charles

    Source de l'image : http://rvirtual.free.fr/applications/loisirs/divertis.htm

    Grand Escalier du Château de Versailles

    LE BRUN, Charles

    • Libraire : Bauman Rare Books (Philadelphia, PA, U.S.A.)

     

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    Description :

    LE BRUN, Charles. Grand Escalier du Château de Versailles, Dit Escalier des Ambassadeurs. Paris: Louis Surugue, [1725]. Slim atlas folio (16 by 21-1/2 inches), early 19th-century half green calf gilt, marbled boards, vellum corners. $3800. Early 18th-century compilation of this magnificent plate book, documenting Le Brun's grand staircase at Versailles, comprised of an engraved title page, nine engraved plates of description and 24 large folio engravings (six double-page) of Le Brun's intricate interior decorations. Called by Louis XIV "the greatest French artist of all time," Charles Le Brun enjoyed hundreds of commissions from the wealthy elite. As First Painter to the King, he was appointed director of Gobelins, a former tapestry manufactory, taken over by the King in 1664 and renamed the Royal Factory of Furniture to the Crown. At Gobelins Le Brun assembled the best artists—painters, sculptors, gilders, casters, weavers, and smiths—who decorated the King's Palaces, the Louvre, the Gallery of Apollo, Versailles, the Tuileries, the King's carriages and even the ships of the Navy. Everything that was manufactured at Gobelins was based on Le Brun's sketches and drawings. It is said that "No art in the 17th century remained untouched by LeBrun." This wonderful documentation of Le Brun's monumental grand staircase at Versailles shows what a great artistic project it was—with painted vaults, niches, frescos, statues and medallions—all depicting events of Louis XIV's reign. Engravings of the grand staircase first appeared shortly after its completion in 1679, as part of the famous Cabinet du Roi, an idea conceived by the King in about 1670 of putting on record, by the medium of engraving, the monuments of his country, his gardens, his palaces and the treasures they contained. The King's Engraver Charles Louis Simonneau was the designer of the Cabinet du Roi. From 1670 onward into the 18th century, selections of these engravings were restruck and bound up in special volumes as gifts to visiting dignitaries. In order to offset the expense of these productions, separate restrikes were also offered for sale, and in 1727 the first complete set of the Cabinet du Roi engravings appeared in 23 volumes, with additional plates and a catalogue. The plates in the fifth volume of that set related to the interior decoration of the Château Versailles—from which this selection of 24 plates was compiled. Many of these wonderful plates are dated 1720, 1721 and 1725, and Plate 24 may date as early as 1695. The principal engravers, Jean-Michel Chevotet and Louis Surugue, also produced the plates for Jean-Baptiste de Monicart's Versailles Immortalisé (1720-1725). Text in French. Brunet III, 910. Graesse IV, 136. See also Brunet, I, 1442-43. Decorative plates fine, marginal dampstains to descriptive plates (just touching lettering); rubbing to boards, expert restoration to spine. An extremely good copy with magnificent folio plates in fine condition. N° de réf. du libraire 74527

     

  • Guide du Routard Châteaux de la Loire , Edition 2010

    Guide du Routard Châteaux de la Loire , Edition 2010Collectif

    • Guide (broché). Paru en 11/2009
    • Le Mot de l'éditeur : Guide du Routard Châteaux de la Loire

      La Loire, le plus long des fleuves français, relayé par de multiples affluents, imprime sa douceur de vivre à des paysages enluminés, droit sortis d’un livre d’heures. Nous voilà dans le Saint des Saints de l’esprit français, cette cocagne heureuse qui résume le génie de notre nation : belles-lettres, architectures somptueuses et vins plaisants. Et puis le routard Châteaux de la Loire c’est toujours des adresses souvent introuvables ailleurs : déguster une matelote d’anguille sur une terrasse en bord de fleuve, et dormir à bon prix ; des visites culturelles originales en dehors des sentiers battus ; des infos remises à jour chaque année ; 9 cartes et plans détaillés. Avec le Routard, tracez votre propre route ! Rencontres, découvertes, partage, voilà des valeurs que nous défendons.

      Fiche détaillée : Guide du Routard Châteaux de la Loire

    Editeur Hachette Guides Tourisme
    Date de parution novembre 2009
    Collection Guide Du Routard France
    ISBN 2012448518
  • Actualité Le château de Goulaine, un bijou de famille

    Ouest-France / Pays de la Loire / Nantes / A la une de Nantes

    Nantes

    Le château de Goulaine, un bijou de famille

    vendredi 16 juillet 2010

    Le marquis Robert de Goulaine est décédé en février. Sa femme et ses deux fils ont décidé de poursuivre son oeuvre : faire vivre coûte que coûte ce patrimoine.

    « Mon père s'est battu toute sa vie pour Goulaine, nous ne pouvions pas laisser tout ça. » Impossible de laisser à d'autres le château (Xe, XVe,XVIIe siècles) et ses salons superbement décorés, le parc, la volière aux papillons, le musée Lefèvre-Utile et ses originaux de Mucha. Au décès de Robert de Goulaine, « homme-orchestre toujours présent », le choix de rester à Goulaine, « pas raisonnable », s'est vite imposé. La demeure, propriété de la même lignée depuis plus de dix siècles, reste donc dans le giron familial.« Nous sommes très attachés à cette maison qui a une âme », raconte Christophe de Goulaine, le benjamin des fils, qui a abandonné son activité de rénovation de bâtisses anciennes pour se consacrer, avec sa mère, au développement du lieu. À eux la gestion du château. À l'aîné, Mathieu, négociant en vin à La Roche-sur-Yon, les papillons.

     

    Chambres d'hôtes

    En 1957, Robert de Goulaine rachète le château à un oncle ne pouvant plus l'entretenir. Parents et enfants s'y sont installés en 1981, après d'imposants travaux de restauration. « J'avais à l'époque 14 ans, mon frère 16. Nous habitions des pièces à taille humaine, dans l'ancienne chapelle. Et nous avons vécu notre adolescence au rythme des manifestations culturelles qui s'y déroulaient », se souvient Christophe. Aujourd'hui, le tourisme et la location de salles permettent juste de maintenir en état l'ouvrage. Les Goulaine misent donc sur de nouveaux projets pour attirer le public.« Les mariages ont lieu dans le corps du logis. Nous pensons proposer des chambres d'hôtes pour que les proches parents puissent dormir sur place. » Les propriétaires envisagent également d'ouvrir à la visite une cuisine très ancienne qui possède d'imposantes cheminées, pour y organiser, pourquoi pas, des goûters d'autrefois.

    « Ici, nous ne regardons pas le visiteur du haut de notre tour, nous sommes heureux de montrer Goulaine », lâche Christophe. Et les touristes apprécient d'être reçus « par les gens qui portent le nom du domaine ». À l'accueil, c'est Gudrun qui reçoit les groupes. Avec Mathieu, elle bichonne aussi les papillons tropicaux, très chers au défunt. Une trentaine d'espèces cohabitent dans la serre parmi les végétaux, sous une température de 30 °C. « Les plantes nourricières doivent être impeccables, elles demandent des soins attentifs », explique Gudrun. Chaque mardi, elle reçoit des chrysalides du bout du monde qui deviendront papillons éphémères (ils vivent une dizaine de jours) à Haute-Goulaine.

    « Cela fait 1 000 ans que des gens se succèdent pour maintenir en état ce joyau. Si, dans cinq ans, la toiture cède, il faut que nous aussi, on soit là. »

     

    Magali GRANDET.
  • La cuisine des Châteaux

     

    La Demeure Historique

    "Ils ont débusqué ce qui est plus que jamais à la mode: le vrai aux fourneaux, l'authenticité des casseroles, la cuisine qui trempe dans les traditions, les racines, le bon usage ancestral du produit pris dans son domaine (...) Dieu, qu'elle est savoureuse, au long de ces pages colorées, la vie de château !"

    Le Figaro, Gilles Pudlowski

    "La Cuisine des Châteaux, une nouvelle collection pour nous rappeler qu'il est des châteaux qui, contre vents et marées, ont lutté avec le temps (...). Les auteurs de ces livres n'ont pas hésité, ils ont visité les plus beaux et ils ont même obtenu des propriétaires leurs secrets de cuisine. Et, pour couronner notre plaisir, ils nous offrent de superbes photos prises dans des cadres parfois somptueux, parfois rustiques, toujours très beaux (...) et l'on y découvre un merveilleux art de vivre."

    Thuriès

    Source : http://pagesperso-orange.fr/du.pontavice/cdc.htm

    POUR COMMANDER, CLIQUEZ ICI

    Cuisine des châteaux d'Auvergne

     

     

  • Aberystwyth Castle

     

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    Aberystwyth Castle 

    Welsh Name: Llanbadarn
    In the town of Aberystwyth, Ceredigion, west Wales SN 579816

    Map link for Aberystwyth Castle

    Test copyright © 1998 by Lise Hull
    Photographs copyright © 2002 by Jeffrey L. Thomas

    Long before the Normans began their extensive castle-building program, which ultimately resulted in the subjugation of Wales (at least in theory), the promontory site now occupied by modern Aberystwyth was recognized for its defensive qualities. Iron Age settlers fortified the hilltop called Pen Dinas with a huge fortification, one of the largest Iron Age hillforts in the region. Today that hillfort dominates the skyline as you approach Aberystwyth from the south. Not only does it create an air of mystery, it also reminds us of the skills of its ancient builders. It remains a remarkable testimony to the Iron Age people that they could construct such a formidable hilltop fortification with their primitive technology. That it has survived over two thousand years makes their accomplishment all the more impressive.

    Not until the Normans marched into West Wales were castles in the true sense of the term built at Aberystwyth. The first was a ringwork castle, built by Gilbert de Clare, a prolific castle-builder in the early 12th century. Curiously, the earthen castle was the scene of much intrigue, as the Welsh and Normans repeatedly vied for control of the site. Traces of the stronghold, known as Castell Tan-y-castell, persevere alongside the River Ystwyth.

    Inevitably, the earth and timber defenses proved too vulnerable and a new site was chosen for a castle in Aberystwyth. This time the Welsh, led by Llywelyn the Great, built the castle in this seaside spot. Like its predecessor, the castle exchanged hands several times, and finally became useless against advances in weapons technology.

     

    The last castle built at Aberystwyth was its most imposing, and once ranked among the greatest in Wales. Today, the structure is entirely ruined, a forlorn jumble of towers and foundations most striking for their proximity to the pounding waters of the temperamental sea. For centuries before the castle's construction, the Welsh had proved quarrelsome, wanting their own Prince of Wales and demanding their independence. In the middle of the 13th century, Henry III attempted to appease the Welsh. When he officially named Llywelyn ap Gruffydd as the Prince of Wales, the English king recognized the Welshman's power and charisma. However, the title did not quiet the native Welsh prince, and in the early 1270's, Llywelyn refused to pay homage to the new king, Edward I. By 1276, Edward lost his patience with what he considered as insolence by Llywelyn and his people, and began his first campaign against the Welsh.

    In 1277, King Edward I ordered the construction of several formidable castles. They included FlintRhuddlanBuilth, and Aberystwyth. All these castles have survived and are accessible to the public. Of these four castles, two led the way into the future of castle construction. Designed as concentric fortresses, Rhuddlan and Aberystwyth Castles were innovative structures composed of rings of defenses, walls-within-walls, which allowed guards to defend their stronghold from several heights without firing upon their own men. Of the two castles, Aberystwyth is the most ruined, but in its heyday, the castle was every bit as intimidating and secure as its cousin in NE Wales.

     

             

    When approaching Aberystwyth Castle, you may be impressed by two things. First, the fortress is tremendously ruined, so you may find it very difficult to believe that it was as imposing as Edward's more famous castles, i.e., ConwyCaernarfonHarlech and Beaumaris. While the Big Four in the North have survived almost intact, this southernmost of Edward's castles is essentially devoid of building material. Second, the sea, only a few yards from the castle, commands your attention. The brisk winds (and, perhaps, the pounding rains) of a typical day along the Welsh coast may take your breath away. You might find yourself wondering how anyone in the Middle Ages could have withstood life in a stone fortress without central heating and other conveniences with which we are accustomed. However, you may also find yourself enthralled with the atmosphere created by the winds and waves, which leap over the sea wall at high tide! The sea has an uncanny way of removing you from the modern city and sending you back into the Middle Ages!

    During the reign of Edward I, Aberystwyth Castle developed into a fine, diamond- shaped concentric fortress. At each corner of the diamonds, towers or gatehouses were strategically planted to defend all sides of the castle. Constructing the castle was an enormous undertaking, quite expensive, and Edward sent his brother, Edmund of Lancaster, to oversee the project. Funds ran out, as did laborers and supplies. But, for the next twelve years or so, construction continued. In 1282, the Welsh revolt against the English king was waged at Aberystwyth Castle and other places throughout Wales. The still-incomplete castle and its associated town were severely burned and briefly captured by the Welsh. As a result, the king's elite master mason, James of St. George, arrived at Aberystwyth to overhaul the building project. His associate, Master Giles of St. George, was left in charge of completing the work, while James returned to North Wales. Finally, construction finished in 1289, at the huge cost of 4,300 pounds. In 1294, the Welsh again attacked the castle, but this time, the concentric fortress proved invulnerable, and after reinforcements and supplies arrived by shipboard, the English effectively thwarted the Welsh onslaught.

     

    How then did Aberystwyth Castle become such a ruin? Amazingly, as early as the 14th century, the concentric fortress began to decay. By 1343, when the Black Prince controlled the castle, the long chamber, the king's hall, the kitchen range, the main gateway and drawbridges, and the outer bailey were falling down. Interestingly, the closeness of the castle to the pounding sea caused much of the decay.

    In 1404, Owain Glyndwr seized the crumbling fortress, but, within a few years, the English regained possession for the last time. After 1408, Aberystwyth Castle lost its strategic value to the monarchy, and only minor repairs were attempted. In 1649, the castle became a victim of Oliver Cromwell's ruthless policy of slighting after the English Civil War, during which the garrison sided with the king, Charles I. Most of the stone that once formed the castle's walls was probably pilfered by locals, who took advantage of this manmade quarry.

     

    A walk into the castle ruins is a bit disquieting, especially when you know that a massive monument once stood on the spot. Pieces of masonry seem strewn haphazardly around the grounds. However, several significant pieces of the puzzle have survived, and hint at the wonders that originally dominated the site. When completed, diamond-shaped Aberystwyth Castle contained two twin-towered gatehouses, a barbican, four gateways, and several round towers placed along the curtain walls. Sadly, what has survived are parts of the outer ward's curtain and angle-towers and fragments of the inner ward's east and northwest gateways and angle- towers. The most notable relic is a tall tower in the inner ward.

     

          

    Among the seemingly random piles of masonry sits a more recent addition - a gorsedd circle of stones erected for a modern-day Eisteddfod. At first glance the circle seems just another part of the mayhem of the ruins, but after identification, visitors realize that these stones harken to prehistoric precursors. The atmosphere in the medieval castle then takes on an air of mystery and enchantment.

    In recent years, Aberystwyth's City Council has created a fine park through which visitors may stroll, unencumbered by fences or fees, at any reasonable time. The fortress perseveres and, as one writer quotes, "The tottering remains of this once magnificent and formidable building, constitute a picturesque ruin; and proudly assert their right to the honors of high and respectable antiquity."

     

    Lise Hull owns and operates Castles of Britain, an information and research web site providing a wide range of information on the castles of Britain. Mrs. Hull has a Masters Degree in Historic Preservation, and has visited well over 160 castles in Wales, England, Scotland and Ireland. She welcomes any and all questions concerning the castles of Britain, and invites people to visit her web site or contact her directly via e-mail at: castlesu@aol.com.

     

    More information about the Norman settlement of Ceredigion
    Visit the Castles of Britain Web Site

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    Copyright © 2009 by Lise Hull and the Castles of Wales Website

     

     

    Sources : http://www.castlewales.com/aberystw.html

  • Chepstow Castle

     

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    Chepstow Castle 

    Map link for Chepstow Castle

    in the town of Chepstow, Monmouthshire, southeast Wales

    Photographs copyright © 2006 by Jeffrey L. Thomas.

    Above: Chepstow Castle viewed from the adjacent car park
    Below: view of the Outer Gatehouse, the main entrance to the castle.

     

     

    Jeff Thomas 1994

    If there is a castle that comes close to matching Harlech in historical importance, that castle is surely Chepstow. Chepstow is a Norman castle perched high above the banks of the river Wye in southeast Wales. Construction began at Chepstow in 1067, less than a year after William the Conqueror was crowned King of England. While Edward had his master castle builder in the person of James of St. George, the Conqueror, some 200 years earlier, had his equal in the person of his loyal Norman lord William FitzOsbern. FitzOsbern's fortresses were the vehicles from which the new king consolidated control of his newly conquered lands. Chepstow Castle became the key launching point for expeditions into Wales, expeditions that eventually subdued the rebellious population.

    We arrived at Chepstow after visiting nearby Tintern abbey on our last full day in Britain. We enjoyed bright, sunny weather the day before, and our final day proved to be equally spectacular. Chepstow's massive twin tower gatehouse set against a cloudless blue sky, provided excellent photo opportunities. Our previous visit was in October of 1992 on a cold cloudy day, so the change in weather was welcomed. Like Caernarfon, Chepstow has excellent on-site exhibits, better than those found at most other castles. Printed placards explaining the castle's history are supplemented by videos, wax figures and reproductions of medieval weaponry and siege machines. Having seen the exhibits in 1992, we chose to skip this portion of the tour and get straight to the castle.

    Chepstow's Great Hall (Shown left), begun in 1067, is the oldest surviving stone fortification in Britain. Because of this, the site has a special significance to British history. At other castles built during the Conqueror's reign, original Norman structures have long since disappeared, but at Chepstow it's still possible to see and touch the remains of FitzOsbern's first great building project in Wales. The Normans weren't the first to recognize the strategic position of Chepstow. The arch above the main doorway to the hall is made from brick brought from a Roman fort that once stood nearby. The hall was always the heart of the castle, and originally stood alone. Over the years, the castle was enlarged by a series of builders. Today, the castle takes the shape of a long rectangle perched high above the river Wye. Inside the hall, powerful men mapped out strategy with other Welsh "Marcher Lords," planning invasions to wrest control of Wales from groups of powerful princes still holding most of the country. Besides William FitzOsbern, earl of Hereford, Chepstow's other famous lords include William Marshal, earl of Pembroke, and Roger Bigod, earl of Norfolk. Depending on your perspective, these are some of the most important (or hated) men of Norman-Welsh history.

    The Great Hall and dramatic cliff-side at Chepstow are the castle's two most interesting features. The rest of the castle is a typical Norman structure - a large gatehouse with high curtain walls connecting a series of tall towers. Because Chepstow was built in stages along the river Wye, the castle is constructed in a long, terraced fashion as opposed to a concentric layout. This unique construction is another reason the castle is so memorable.

    Chepstow's strategic position allowed defenders to supply the castle via the river during times of battle and siege, while defending it against attack. Because of its history, the Great Hall evokes a kind of respect not shared by other Welsh castles. Though I had already seen the hall less than two years earlier, the impact on this occasion was no less dramatic. It's a feeling that is difficult to describe. While it's a treat to visit any Welsh castle, only a handful retain the ability to stir emotions hundreds of years following their demise. To stand in Chepstow's Great Hall, a symbol of the Norman victory over the Saxons and the conquest of England - a turning point in world history - is a special kind of thrill.

    We left Chepstow knowing we had made the right decision in adding the site to our 1994 agenda. There were several sites we could have chosen to revisit on this vacation, but only Harlech and Chepstow castles, along with Tintern abbey, left strong enough impressions during our first visits to merit seeing them again so soon. The unique history of each all but guarantees our future return.

     

    Below: bird's-eye view of the castle from the Outer Gatehouse. The Lower Bailey can be
    seen in the foreground with the Middle Bailey and the Great Tower beyond.

     

    Cadw 1990

    Superbly set high upon its river cliff above the Wye, Chepstow still guards one of the main river crossings from southern England into Wales. Few castles in Britain tell the story of medieval fortification, from beginning to end, as does this mighty stronghold. It was probably the very first stone castle in the entire country, and was to see successive developments right through to the Civil War of the 17th century. Throughout the Middle Ages, Chepstow was the center of military and administrative power in the Marcher lordship of Strigoil.

    Within a few months of the Battle of Hastings William fitz Osbern, lord of Breteuil in Normandy, was created earl of Hereford by William the Conqueror, and was given the task of subduing the southern Welsh borderlands. Before his death in 1071 he had built the rectangular keep, which still forms the core of the castle today. It is the earliest dateable secular stone building in Britain, but is very similar to other 11th-century hall-keeps in Normandy. Notice that the builders used several bands of red Roman tile in the construction, probably robbed from the ruins of Caerwent. The small round-headed windows in the ground floor are also original features.

     

    Below: fitz Osbern's Great Tower viewed from the Middle Bailey.

     

    At the end of the 12th century, Chepstow passed by marriage to William Marshal, a formidable soldier of fortune, and earl of Pembroke. With considerable experience in military architecture in France, he set about bringing fitz Osbern's castle up to date. He rebuilt the east curtain wall, with two round towers projecting outwards, in order to protect this vulnerable side. Arrow-slits in the towers were designed to give covering fire to the ground in front of the curtain, and this was one of the earliest examples of the new defensive mode which was to become characteristic of the medieval castle.

    Before 1245, the sons of William Marshal greatly enlarged Chepstow's defences and improved the internal accommodation. They added a new lower bailey, with an impressive twin-towered gatehouse. At the upper end of the castle, a strongly defended barbican was constructed at this time. Marshal's sons also made additions to the Great Tower, or keep.

    Between 1270-1300 Roger Bigod III, one of the greatest magnates of his day, built a splendid new hall block on the north side of the lower bailey. The range included a large, vaulted cellar, elaborate service rooms, a kitchen, domestic accommodation and, of course, the hall itself. There is also a latrine set spectacularly high over the river cliff, across the bailey, away from the noise of the hall and the kitchen smells. Bigod built a huge new tower on the south-east corner. This was to provide a suite of accommodation worthy of a nobleman of high rank. As well as the domestic apartments, Marten's Tower also included a private chapel, with richly carved decoration and a seat at either side for the priest. Unusually, when raised, the portcullis closing off the wall-walk below would have stood in front of the altar. Roger Bigod was also responsible for the construction of the splendid 'Port' or town wall which still survives along much of its length.

     

    Below: view of the Chamber block from the Lower Bailey.

     

    Chepstow was further modified in the Tudor period, and in the Civil War it was twice besieged. Its defences, designed against medieval attack, fell both times to Parliamentary cannon. Following the war, the whole southern face of the castle was reinforced with earth and stone as a prevention against further cannon fire. The parapets were remodeled with musket loops. Chepstow was also used for State prisoners at this time, and the republican and regicide Henry Marten, spent 20 years of fairly comfortable captivity in the tower which now bears his name.

     

    Additional photographs of Chepstow Castle

     

    Below (2): two interior views of the Great Tower at Chepstow Castle.

     

     

    Below (2): exterior & interiow views of the Marten's Tower.

     

     

    Below: view of some of the detail from the top of the Marten's Tower.

     

    Below: view of the Barbican at the upper end of the castle from near the Corner Tower.

     

    Below: view of the gallery next to the Great Hall which separates the upper and middle baileys.

     

    Below: view of the buildings of the Lower Bailey & Wye River from the Upper Bailey.

     

    Below: view of the Barbican & Corner Tower from outside the castle.

     

    Below: view of the Lower Bailey from the Outer Gatehouse tower.

     

     


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    Copyright © 2009 by Jeffrey L. Thomas

     

    Source : http://www.castlewales.com/chepstow.html